Armidale has a rich musical life and, last Thursday, we attended our second major concert in 5 days. This time the performers were the ACO2, or in longer terms, the Australian Chamber Orchestra 2. This ensemble comprised five of the orchestra's younger members plus six 2015 emerging artists and six emerging artists from earlier years. The guest director and lead violin was Australian Benjamin Schmid, one of Europe's leading violinists. So we saw just the 18 very young performers shown here.
OK, if you count carefully, one is missing! They all had a ball during their performances, especially Aiko Goto in the front who was so small she stood on a box. She was smiling and moving around so much that I feared that she'd fall off with catastrophic consequences! That didn't occur and the ensemble was triumphant. Their timing and cohesion was exemplary despite torrents of notes from some complex works.
The four works played were: Bach's Concerto for Violin in E major (BWV1042); Tchaikovsky's Souvenir de Florence (op 70); Samuel Barber's Adagio for Strings (Op 11) and first conducted by Toscanini in 1938; and Herbert Berger's Metropoles Suite for Violin and Strings. Believe it or not, he's one of Austria's leading jazz musicians and, since he was born as recently as 1969, the work must be only 20 years old at the most. Berger's work was delightful and brought together the music of several different places. The first movement, Insomnia, portrayed Salzburg; the second - El Largo Adios - took us to Barcelona; the third, A la minute, reflected Paris; and the final movement. Avenida, portrayed a street scene in Maputo - the capital of Mozambique. Many people do not like modern music, but this work was an eye-opener. Give it a go if you can find a copy.
By the way, ACO2 should be spelt slightly differently but I didn't have superscripts and subscripts to put together the right combination. It should read A, C superscript, O, 2 subscript!
AS
OK, if you count carefully, one is missing! They all had a ball during their performances, especially Aiko Goto in the front who was so small she stood on a box. She was smiling and moving around so much that I feared that she'd fall off with catastrophic consequences! That didn't occur and the ensemble was triumphant. Their timing and cohesion was exemplary despite torrents of notes from some complex works.
The four works played were: Bach's Concerto for Violin in E major (BWV1042); Tchaikovsky's Souvenir de Florence (op 70); Samuel Barber's Adagio for Strings (Op 11) and first conducted by Toscanini in 1938; and Herbert Berger's Metropoles Suite for Violin and Strings. Believe it or not, he's one of Austria's leading jazz musicians and, since he was born as recently as 1969, the work must be only 20 years old at the most. Berger's work was delightful and brought together the music of several different places. The first movement, Insomnia, portrayed Salzburg; the second - El Largo Adios - took us to Barcelona; the third, A la minute, reflected Paris; and the final movement. Avenida, portrayed a street scene in Maputo - the capital of Mozambique. Many people do not like modern music, but this work was an eye-opener. Give it a go if you can find a copy.
By the way, ACO2 should be spelt slightly differently but I didn't have superscripts and subscripts to put together the right combination. It should read A, C superscript, O, 2 subscript!
AS
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